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18
The “cognitive dissonance” Random Riffs generated some interesting responses. One in particular raises a matter germane to the performance of both jazz ensembles and organizations. I’ll let my friend Peter Brown speak for himself.
A sequel suggestion -- on "risk". As you seek out the Kevins and Chrises in your organization, how do you think about risk? And from your jazz paradigm -- what's the "risk" in attending to Chris and Kevin? And how should one think of "lifting" into a non-jazz organization or situation? "Tolerance for risk" I think is the wrong expression -- we develop tolerance for certain snake bites and poison ivy. Or maybe everything is jazz and incumbents don't know it? I suspect a lot of learning about risk is implicit in jazz.

Rob, a graduate of the Mohawk College jazz program, is a member of a number of well-known jazz bands including those of Dave McMurdo, Phil Nimmons, John McLeod and the Matt Dusk horn band.
He has performed with many outstanding Canadian jazz artists such as Peter Appleyard, Bernie Senensky, Mike Murley, and Kenny Wheeler. Rob has also backed …
Tim Shia has been busy … / May 15, 2009
Check out the article about us in Arts about Town / May 7, 2009